Authority & Linearity In Classical Literature

2010 February 4

My final graduate school paper was on the role of linearity in classical literature and how women subvert and become subverted by it. My primary focus was on The Descent of Inanna, but I also discuss The Rig Veda, the Persephone myth from The Homeric Hymns, and the Hebrew Bible. This paper was an extension of what I had written about the entire semester. (pdf)

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Patriarchal Authority & “Coming Home” In Tragedy

2010 February 1

(trying to clear backlog of graduate school writing)

For Dr. Evarts’ seminar on tragedy, I wrote my seminar paper on the role of “coming home” in tragedy and how that affects the power and authority of women. I focused on The Oresteia, The Homecoming, and A Doll’s House, with some references as well to the plays of Dacia Maraini. Critically, my focus is on Kristeva, Prentice, Moi, and, of course, Rubin. Overall, I am not that happy with this paper. We got sidetracked a LOT in this class, so class discussion of some works was unsubstantive. At best. Add a bit of interlibrary loan bad luck, and my best work was not done. I am still pretty proud of the angle I took, especially since it seemed to make some people in the room uncomfortable. (pdf)

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Guest Blogging: Prof Hacker + Blogging Woolf

2010 January 21

I want to highlight a few guest blog posts I have contributed in recent weeks:

First, I contributed to Prof Hacker’s big #mla09 wrapup about the role of social media at the conference. There is a lot of great information and ideas in that post. I tried to come at it from a different angle that hopefully supplement the other ideas.

Secondly, I wrote a post about the role of intertextuality in Mrs. Dalloway for the Blogging Woolf weblog. This coincides with the Mrs. Dalloway Online Discussion Day that happened a day later as part of Woolf In Winter. Hopefully, in the future, I will be writing a few more posts for Blogging Woolf.

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(Re)Framing Transmedial Narratives

2010 January 18

The absolute highlight of my time at MLA09 was the night panel on transmedia narratives. I finally got to meet my friend Christy Dena and also catch up with some other friends. Here are my notes:

Marc Ruppel

  • The biggest shift in storytelling has been multiplatform narratives
  • What are they? digital/analog, oral/audio, etc
  • Examples of transmedia narratives: Lost, Buffy The Vampire Slayer series eight comic, etc
  • Connectivity: Edges as transactional spaces
  • Reading paths, instead of just left to right now…(It’s refreshing to hear this; I’ve been saying this for a long time!!!)

Migratory cues:

  • Direct-URLs, books, phone numbers, business cards (the series Heroes was the example for some of these)
  • Intermedial-Direct prescence of one site’s content in anothers
  • Intersectional-One site reflects and approximates momentary events of another
  • Often used in combination
  • Visualize network as a whole

Christy Dena

After this, I just sat and listened to everything Christy was saying. Her work is fascinating and close to what I originally wanted to write about in my Master’s Thesis before sliding to something more “Englishy” (see my first symposium presentation about Distributed Narrative)

I also asked a question to Marc and Christy about the role of canon in fan culture. Specifically, I was curious how they regarded fan fiction and spinoff noncanonical media in regards to their examples of Buffy The Vampire Slayer and Doctor Who. The BTVS series eight comic is pretty established as canonical, but what about Doctor Who where there are numerous comics, Big Finish audios, and other things where their place in the canon is murky at best. Both Marc and Christy said that trying to decipher between all of that just wasn’t worth doing, so they regards everything in the same manner. I can certainly understand that.

Afterwards, while catching up with Christy, we also talked about the defining of new terms which she does in her work. While writing my Master’s Thesis, I had trouble enough with resistance to terms like ergodic, distributed narrative, hypertext, etc. Christy is creating new terms as she goes.

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Links & Kinks In The Chain: Collaboration In The Digital Humanities

2010 January 14

One of the best panels I attended was on the role of collaboration in the Digital Humanities. I got to meet up with some friends from Prof Hacker and Twitter like Jason Jones and Bethany Nowviskie, who were both on the panel. I also caught up with other friends who I have known for some time as well.

My notes aren’t really detailed, I suppose, but here is what I wrote down during the panels:

Jason Jones

  • What does collaboration mean?
  • Social media role
  • Twitter is a crowd sourced search engine
  • Institution based models of collaboration are 20th century

Laura Mandell

  • Two point of views about collaboration
  • Hybrid scholar: Interdisciplinary scholar who begins in English, but ends up in computer science
  • Hybrid field: Experts in discipline come together (Example: An English professor and a java scriptor) to work on a project
  • Hybirds don’t have fit in modern university
  • Modern universities prioritizes those in ensconced fields

Bethany NowviskieMonopolies of Invention

  • Consider institutional status (staff, adjuncts, etc) “can’t afford to make trouble”
  • Digital Humanities can fix intellectual property problems
  • UVA must tell patent office about new patentable DH
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New Horizons For The Literary: N. Katherine Hayles’ Vision For The Future Of Literature

2010 January 11

I realized a few days ago that I never posted a link to this. Here is my paper from Monmouth’s graduate program symposium in the fall of 2008. I presented on a panel, annoyingly called “What Is Literature?,” alongside Sara Van Ness, who presented some work from her upcoming book on Watchmen.

My paper was a rough draft of what would eventually become my article on N. Katherine Hayles in the spring 2009 issue of The Quarterly Conversation. I thought it went well and both Sara and I got some excellent questions and comments from the audience.

This was also the first Monmouth English symposium done after I stopped coordinating them and it was a great afternoon with some fantastic panels. Sara and I would be on a panel together again in the spring of 2009, which was one of my last acts as a student at Monmouth.

New Horizons For The Literary: N. Katherine Hayles’ Vision For The Future Of Literature

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End of Semester Roundup

2009 December 28

Prof Hacker’s end of semester checklist post suggested writing some sort of “End of the Semester Roundup” post so I thought I would write one up. This semester was one of great advancements for me. I taught my first college level courses and had a great time doing so. Originally, my schedule involved teaching two sections of Composition I but during the first week of the semester I ended up adding a section of Composition II as well.

Comp I was a lot of work, but well worth it. I saw a lot of advancement in my student’s work as the semester went on. I also saw a lot if disappointing efforts from others. Teaching writing and grammar also allowed me to sharpen my own skills and talk about some of the adventures I have had over the years as a student and academic. Check out the class weblog for more information.

Composition II was a great joy to teach. I got to teach a lot of my favourite canonical authors like Chopin, Gilman, and Ibsen.An unconscious theme of discussing gender and women’s liberation became a focus of our close readings as the semester advanced through short stories to plays (A Doll House, Othello) and then to poets like Plath and Dickinson. Immediately, a handful of students stood apart from the rest of the class but I also saw many others slowly begin to contribute more and more as they became more comfortable with their own close reading skills. My focus in class was on what my students wanted to discuss. Of course, I would bring lecture notes with ideas I wanted to highlight. However, after our daily, randomly selected, journal readers I would ask the class where they wanted to begin, what they wanted to discuss, and that is where we would start. I could talk for hours about most of the texts we read, but I am more concerned with what my students wish to discuss.

One student in particular started the semester off very slowly only to eventually be the first to raise their hand almost every class. Another only contributed on Fridays, somehow, but always blew our minds with their ideas. Almost every student in class had a day where they stood out and shone brighter than anyone else.

The week of my classroom observation by Dr. Alexander coincided with my favorite week of the semester: the week we discussed (post)modern authors like Borges, Coover, and Auster. I was very impressed with my students and their ability to tackle these difficult texts. I can’t wait to teach 102 again and hope I get a chance to pick up a section in the spring. Check out our course weblog.

This semester I ran our course weblogs on WordPress and am thrilled with the results. I have run WP on a number of websites, including this one, for the past four years and couldn’t be happier with the results. In the spring I think I am going to try the dreaded Blackboard for my classes. As an offsite alternative, I believe I am going to wade my toes into the world of Drupal as well. I am going to spend some time over break considering my options.

I also guest lectured for two classes in Dr. McCadden’s upper level class ENG203 The Origins of Literature. I presented two lectures: “Telemachus & The Search For the Ideal Son in Classical Greek Literature” and “The Odyssey & Nonlinear Reading.”

Another project I am going to finish over break is the long-awaited draft of my article on Shelley Jackson for The Quarterly Conversation. I was supposed to have this completed for the winter issue, but the hectic nature of the fall semester got in the way. Scott Esposito was gracious enough to give me an extension. I’m hoping to have something to him early in the new year.

I have a handful of journal article proposals that I need to send over break as well. A few of them are spinoff projects from my MA thesis and others are ideas that I have brewed for a period of time. Hopefully some of them will be publishable.

in the spring, currently, I am teaching two sections of Comp I. One is MWF, the other TT. This isn’t the most ideal schedule, but hopefully I will pick another Comp I, a Comp II, or another class. I am very happy to have a few weeks off to get some of my work done and prep for the spring. However, I am also excited to get back to Burlington and begin teaching again.

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